Showing posts with label Poet. Show all posts
Showing posts with label Poet. Show all posts

Thursday, February 18, 2021

A Heart For All Seasons

Audre Lorde
Warrior, Poet, Mother

For Audre Lorde

If I had a heart for all seasons, 

A heart that perceives

The friend in every person,

Yet will draw out the snitch

For the hype he really is;

A heart that's molded from pure gold

And yet makes room for earth's trash.

Because he believes the best is yet to be told. 

And so it ain't necessary to reheat

The overrated skillet of ash. 

If I had a heart for all seasons,

I'll sacrifice excuses for good reasons,

And guard my heart above all else

Until I generate power to revive dead cells.

A heart that beats in and out of season

A heart with an ear that's quick to lĂ­sten

Such a heart is like silver

With a bust of Caesar,

Refined seven times.

A heart that crosses immortal lines. 


Akpan


Sunday, June 30, 2019

Poet's Curse


I groan in the pain
my fingers unlocked
I shoulda stopped
at the first word
No! Rather at the first train of thought
It rocks my body electric
It knocks me into a concussive
state of mind where reality
is dragged kicking and screaming
into a cesspool of the fictive

My fingers composed my misery
because I would not turn a blind eye
to the curse in a dead man's eyes
I am god in a zone of twilights

Shall I chop off my fingers
cause it offends yours truly?
Shall I resolve to murder
And indulge self-mutiny

I will soon die
than live a lie

Yet, what I shall choose
is solace of the words which bruise
my soul and blow my fuse.

Akpan


Friday, September 4, 2015

Is Writing Poetry Intuitive?


Poetry begins in the head. The day had gone gray and I’d pretty much given up on fetching new stuff to celebrate the occasion. I was just settling into the fact that all I was going to do that day was set up a customized blog header when the line, ‘I wish you knew the man I called father’ blew in on the breath of inspiration. Details of the poem, dedicated to the memory of my father who passed on some twenty odd years ago, sorted itself out with the introduction of the phrase above.

Writing a poem can be either exciting or pretty much like cutting rock with an ax. It all depends on the angle of approach. Wordsworth took his cue from this when he said poetry “takes its origin from emotions recollected in tranquility; the emotion is contemplated till, by a species of reaction, the tranquility gradually disappears, and an emotion kindred to that which was before the subject of contemplation, is gradually produced, and does itself actually exist in the mind. In this mood successful composition gradually begins.” Underneath every good poem a carpet of refined emotions sustains the poem’s resonance, molding and loading it with deep meaning heavier than the metaphors presenting them.

Wordsworth composed the entirety of his poem, “Tintern Abbey” about 159 lines in all, in his head while taking a rather long stroll. “Not a line of it was altered,” he said. “And not any part of it written down till I reached Bristol.” How a poem begins and takes form in the mind; how the poet recognizes it for what it is and starts rubbing words together to kindle the flame; trying for consistency says a lot about the role intuition plays in its creation. When a poet tries to force a poem it often than not produces a composition which, comes off raucous to the ears like the sound broken glass makes trampled under heavy boots.

Poetry works best when it comes as a result of a free association of words in the mind, when it springs from an idea and develops through emotion that has been refined in the heat of tranquility. When I wrote the poem about my father, I’d had years to mourn his passing—the emotions within had blossomed from pure grief and outright bitterness to one of clear perception. And when the muses whispered those lines to my heart, the tranquility had traded places for recollected emotion. I knew what I was writing about like I knew my own heart.

Magic plays a prominent role in the writing of a poem. It is impossible to create one without help from the muses. Ask anyone in the know and they will tell you that, “Poets who have written successfully have done so largely through intuition. Poets often do this without being able to explain how, just as readers may respond to such rhythms without knowing technically, why.” A quote from Robert Wallace’s ‘Writing Poems’ which still rings true to this very day.

Keep your pens bleeding.

Akpan



Wednesday, October 22, 2014

Lyrical Assassin

The Lyrical Assassin
You don't wanna mess with him

Here I stand firm
Deleting daunting doubt; tumbling walls
Of fear, taking trophies on my own terms—
Defying consequences, kicking Fate in the balls.

Here I stand firm
Skillfully slugging opposition’s industrious crew.
Constantly chasing down fools with clear intent to bring harm
Annihilating every appearance of a threat with tried tools.

Here I stand firm
My position locked and confirmed
Aiming lethal verbs about 9mm in your direction,
Pumping my Glocks pushing you to the verge of extinction.

Here I stand firm
To whom it may concern:
I stand true
And I shall not be moved.

Akpan


Friday, March 15, 2013

In the Shadow of the Persona

Cover of "And Still I Rise"
Cover of And Still I Rise


Very few situations are quite as absorbing as trying to push a poem in a voice not exactly your own.

It is not so much a question of losing touch with your creation, as it is a moment of transmutation; stepping outside your consciousness into the mind of the other. Leaving behind all you are and have been and striving to define the essence of the individual, unique and quite different from you.

The very first time I read Maya Angelou’s Still I Rise–I was in high school at the time and barely knew the poet–I was emotionally charged up by the boldness of the poet and the audacity of the words she picked for her poetry. Several years later, I discovered online a collection of poems written by Maya Angelou. The mentioned poem was a part of the collection. The opportunity of knowing Maya and her style of poetry better was a genuine pleasure. Poems spawn out of the bitter experiences from years of slavery and inner turmoil and the sweeter days of hope fulfilled.

Maya Angelou’s situation is unique and so is her style of poetry. She writes about stuff she experienced on first-hand basis. On the other hand, let’s take a look at Coleridge’s Ancient Mariner;” a reader who takes this poem literally as Coleridge’s personal experience would have himself in a terrible fix. Probably, end up beat up by the magnitude of the mystery it evokes. Although, he wrote it in first person POV, nonetheless Coleridge wasn’t bound in chains and shipped off to the tank for writing his masterpiece.

So must a poet not shirk the responsibility which calls him out of himself and all he stands for to take possession of the voice and feelings and beliefs of the other. And thereby, craft a material which is exclusively detached from anything he believes in.

The interpretation of a poem may hinge on a poet’s personal experiences or it may not. Poets must not restrict themselves by writing poems that ain’t offensive. Many “hate-poems” are misidentified by individuals who classify these poems because they confuse the voice of the poet persona for the voice of the poet. Take for example a horror-themed poem written in the POV of a psycho. You expect such a verse to be hate-filled.

Apparently, what the poet/reader both need is a little education; the poet can view his world through the eyes of whichever character he is pleased to view it. Remember this every time you write or read a poem. It would be way easier to embrace the message whatever it might be.

Remember, NaPoWriMo 2013 comes up in April from 1 through 3o. It’s 30 poems in 30 days, baby!
This is possibly my last post for the month of March. I need to set myself up for the poetic odyssey come April. See you at NaPoWriMo!

Keep your poem bleeding!



Akpan







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Monday, December 6, 2010

How You Can Write Poetry I

Poetry is reflecting what you feel deep inside.

Be it on paper or by verbal altercation, it’s as simple as that. Now, I’ve had people say, “Poetry isn’t my thing”. Or “No matter how hard I try I just can’t write poetry” and so on and so forth like that.

Well, excuse me; I’ll have to disagree with you on that single score. Anybody, and I mean just that, anybody can write poetry if they put their heart to it. But not too much of their heart or they look like they taking an entrance exam for the School of the Great By-and-By. Loosen up, buddy. You can’t write no poem with your muscles all tensed up. Relax.

Now that we got that out of the way, I should add that we must come to the garden of verse with an understanding that mastery comes in varying shapes and sizes. And that’s exactly where many potential poets stand or fall. I’m using the word potential with the utmost care because you are either a poet or you’re not. The quality of your line of verse matters not as the fact that you write poetry. That’s all you need to be a poet. Write poems.


When I was younger, I got myself worked up a lot because I believed a standard poem required a large dose of big vocabularies. You can’t blame the kid I was though. You should have seen my first collection of poetry books besides the Nursery Rhymes which I regarded as childish and substandard poetry. One of my favorite poetry texts was A Pageant of Longer Poems edited by E. W. Parker and that’s just one among numerous skull-cracking, mind-racking collections of poems by classical poets, in my personal possession. So, I grew up with a belief that was as staunch as it was childish that reading standard, acceptable verse ought to pay in migraine or at the least, a mild headache. Any poetry that missed that mark was low on the ratings, mine.

From Milton’s Morning of Christ’s Nativity to Arnold’s Balder Dead, my young escapades took me through the works of my favorite classical poet, William Wordsworth. Here’s an excerpt from a personal favorite,

Our birth is but a sleep and a forgetting:
The Soul that rises with us, our life’s Star,
Hath elsewhere its setting,
And cometh from afar:
Not in entire forgetfulness,
And not in utter nakedness,
But trailing clouds of glory do we come
From God Who is our home:
Heaven lies about us in our infancy!
                                                             William Wordsworth,

Can you imagine how easy it would be for a ten year old to get lost in between those few lines of verse? Lost and totally wrecked out my mind, such was my dilemma on the road to the mastery of verse. The years, like foam-tipped breakers have blessed me with a few gifted poets, men and women through whom I’ve gained my footing and a lot of stamina in the field of cadence. Maya Angelou (my favorite), Langston Hughes, Robert Frost, Audrey Lorde, Ezra Pound, Laurence Dunbar, Sylvia Plath and many more masters of the art.

I’ve done my share of reading up on works attributed to these greats, did a little extra as a matter of fact, dug up the BGs (that’s short for Background) and worked the poetic interpretations with those. And I assure you it’s been non-stop pleasure. I’ll give my thoughts pause, presently. Next time, I’ll be sure to pick this up right where I left off. Until that time, read a lot and I mean A LOT of poems.

Keep your pen bleeding!

Akpan


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