Showing posts with label Writing Poems. Show all posts
Showing posts with label Writing Poems. Show all posts

Friday, September 4, 2015

Is Writing Poetry Intuitive?


Poetry begins in the head. The day had gone gray and I’d pretty much given up on fetching new stuff to celebrate the occasion. I was just settling into the fact that all I was going to do that day was set up a customized blog header when the line, ‘I wish you knew the man I called father’ blew in on the breath of inspiration. Details of the poem, dedicated to the memory of my father who passed on some twenty odd years ago, sorted itself out with the introduction of the phrase above.

Writing a poem can be either exciting or pretty much like cutting rock with an ax. It all depends on the angle of approach. Wordsworth took his cue from this when he said poetry “takes its origin from emotions recollected in tranquility; the emotion is contemplated till, by a species of reaction, the tranquility gradually disappears, and an emotion kindred to that which was before the subject of contemplation, is gradually produced, and does itself actually exist in the mind. In this mood successful composition gradually begins.” Underneath every good poem a carpet of refined emotions sustains the poem’s resonance, molding and loading it with deep meaning heavier than the metaphors presenting them.

Wordsworth composed the entirety of his poem, “Tintern Abbey” about 159 lines in all, in his head while taking a rather long stroll. “Not a line of it was altered,” he said. “And not any part of it written down till I reached Bristol.” How a poem begins and takes form in the mind; how the poet recognizes it for what it is and starts rubbing words together to kindle the flame; trying for consistency says a lot about the role intuition plays in its creation. When a poet tries to force a poem it often than not produces a composition which, comes off raucous to the ears like the sound broken glass makes trampled under heavy boots.

Poetry works best when it comes as a result of a free association of words in the mind, when it springs from an idea and develops through emotion that has been refined in the heat of tranquility. When I wrote the poem about my father, I’d had years to mourn his passing—the emotions within had blossomed from pure grief and outright bitterness to one of clear perception. And when the muses whispered those lines to my heart, the tranquility had traded places for recollected emotion. I knew what I was writing about like I knew my own heart.

Magic plays a prominent role in the writing of a poem. It is impossible to create one without help from the muses. Ask anyone in the know and they will tell you that, “Poets who have written successfully have done so largely through intuition. Poets often do this without being able to explain how, just as readers may respond to such rhythms without knowing technically, why.” A quote from Robert Wallace’s ‘Writing Poems’ which still rings true to this very day.

Keep your pens bleeding.

Akpan



Saturday, May 17, 2014

The Discipline of Feeling (Intuitive Writing)


When was the first time you heard the phrase intuitive writing?
I probably, heard it coined this way from the late legendary writer Ray Bradbury.  Notice I said coined this way because I think Robert Wallace was towing the same line when he wrote up the phrase ‘random writing’ in his book ‘Writing Poems.’

The best way a writer achieves or perfects writing intuitively is through the discipline of his emotions or feeling. This is the state of inventiveness Bradbury refers to as writing from the heart or writing with little or no interference from the mental faculty. This level of creativeness involves transferring raw emotions directly to the page thereby, turning intangible material into meaningful coordinated form of writing.

So, how exactly do you go about this seemingly complicated method of flow? I'm a little bit in the know with stuff like this. I got my gears well oiled from years of practice long before I came across the twin phrases listed above. I tried it with lyrics then poetry. I'll have some tune dropped in my heart and I'll just go with the muse and set the sound to words. I bet a lot of folks reading this didn't know that sort of thing falls under intuitive writing. But it does.

Writing in this way doesn't come easy sometimes; you just have to take the plunge-nothing on your mind, not even the faintest idea where the whole shebang would come out or what exactly it is you are dribbling about. I wrote a lot of poetry straddling that line.

Stephen King calls it writing without an outline, going with the flow, or listening to the muse. And you can master it by consistently striving to dredge up words from that bottomless void-that incitive convolution of nameless emotions inside you. If you look into the deep long enough, you go deep. And that's a given.

Practice. Practice. Practice. Until it becomes a bad habit that hangs around even when you're totally unaware of it.

Scribble one word on paper, any word, then string it up with another then another until it creates a meaning. Is that a picture in your mind? Recreate it on paper with words. If you see this in the realm of the impossible maybe, it's cause you're trying to see the finished product before you start. That's not writing intuitively, at all.

The magic of intuitive writing lies in falling and getting right back up only to start all over again even though, you are aware you might bust your nose walking into a wall the next minute. It is the expectant certainty that eventually, you're going to be alright.

Keep your pens bleeding!

Akpan


Saturday, August 17, 2013

Reading Poems: Fodder For Poetry


Read scores of poetry = Write scores of poetry. Reading poems discharges a creative brand of influence that fosters the seed of the craft inside of you. A well-written verse is catching especially, when you read one that warms into your private spot.

Pick up a poetry collection, the type that appeals fiercely to your taste, crawl in between a complex web work of metaphors and put thoughts of you out of your mind for a minute. Live in the moment. You’ll experience the crush of inspiration pushing up through your blood vessels, the deeper you dig beneath the flesh for the bones, the greater the pressure that engulfs you.
Courtesy: poetryfoundation.org

“None of us ever wants to write a poem in the first place unless we have read a poem that truly takes us.” — Robert Wallace.

Our appreciation of poetry—admiration for poetic vernacular—is sharpened by the poems we read. By the by, it is the magic pumped into our souls by these poems we take a crack at reinventing at what time we recollect personal emotions in tranquility. The metric flow we conjure up are modeled after the poems we read and the multiverse created by those poets boil over into our own craft generating a rich and textured commonwealth of the imaginative variety.

Ultimately, “the undisguised admiration ‘I can do that’ is the seed from which every poet sprouts and grows. — Robert Wallace.

Most great poems are made up of honey-sweet and simple vocabulary that surprises phrases like, “Why didn’t I think of that?” out of us. And the answer is just as simple, we haven’t been doing too much reading.
                Immerse yourself in poems. There is no other approach to navigate an ocean of words with the skill of a master.


Akpan


Enhanced by Zemanta

Saturday, November 6, 2010

Materials of Poetry

Robinson Jeffers' Hawk Tower

Timeless art is a silhouette embossed on a backdrop of things that never die.

Immortality takes liberty and lends enchantment to works that are wedged by a theme of permanence. Art with a note of continuity possess characteristics that breach generational chasms with timeless messages. It is the piece of clothing left behind after the author is caught up on "Time's winged chariot".

Robinson Jeffers lists two items as the resource of poetry-the lasting qualities that sustain a resonance of impressions in a reader's mind long after the poem is read and the book closed.

One is Permanent things, the other is similar yet, unique, Things forever renewed.

I believe the twosome is for the most part, self explanatory and presents itself to the mind of the reader. Nevertheless, I will take the liberty to touch on details a little bit.

Robert Wallace in his book of poetry, "Writing Poems", fleshes out Jeffers' quote.

"Permanent things or things forever renewed like the grass and human passions, are the materials of poetry; and whoever speaks across the gap of a thousand years will understand that he has to speak of permanent things, and rather clearly too, or who would hear him?"

The upshot of this is that this is also true of other forms of writing like fiction – stories and novels and so on. Shakespeare's works remain relevant to contemporary taste and a big chunk of the credit, besides artistic merit goes to the universal themes of love, betrayal, revenge and the others which characterize Shakespearean literature.

Homer's Iliad is pregnant with pungent subjects of bravery, of lust for wealth and power, of hubristic, you name it. These are problems the race of man will battle world without end as long as there are men on the face of the earth.

We can create a pattern for our writing from these examples. There are lots and lots of cases, of course. Think back to your childhood years-some may have to think longer and harder than most of us. Remember all the stories that have grown up with you and, you see where I'm coming from.

Keep your pen bleeding!



Akpan


Related articles
Enhanced by Zemanta
Free counters!