Showing posts with label Fantasy. Show all posts
Showing posts with label Fantasy. Show all posts

Wednesday, July 10, 2019

Where All Tomorrows Go



The heart of me weeps to belong
In a place where I’ve never come
The scent of its gardens
Travel a million miles
And paint pictures like Eden’s
In the ecclesiastical mind
The water there
Are silvern clear
That kisses the cloud
That swims its depths
Its breath wraps around
You like unsettled debt
The bees there don’t sting
But its robins sing
There is no nightfall
But a glittering pall
I’d love to fall down
Dead like a sparrow
Until I am found
Where all tomorrows go

Akpan



Sunday, June 16, 2019

Winged Haste


If I had wings
I'll dance on guitar strings
I'll play a tune on the winds
And shape the clouds into rings.
If I had wings
I'll take what the day brings
And live my sweetest dreams
Up to my fantasies' brink.
If I had wings
My tasks will go bada bing.
But I do not have wings
Therefore I'll settle for ding.

Akpan


Tuesday, June 30, 2015

Friday, June 12, 2015

IntShoWriMo 2015: Day 12: Sharp Edge of Reality


IntShoWriMo 2015: Day 12 Prompt:
Ah, back home and time to relax. Long weeks are brutal. Is that the television you hear? Well you haven’t been home all day so you decide to check it out, thinking you left it on. As you enter the room you see the television is indeed on. And you’re already sitting there watching it. What’s going on here? — WritersDigest.Com

Word Count: 2k+








Akpan

Wednesday, June 10, 2015

IntShoWriMo 2015: Day 10: Only a Fool Believes He's Dreaming Before He Wakes Up


IntShoWriMo 2015: Day 10 Prompts:
While you dig the soil for a flower-bed, you find a magical dragon bone. — Writing.Com

You had that dream again. The one where the beast with the drooping hands and wicked fangs stares you down from your window. Except the windows open this time—and you’re awake! What happens next? — WritersDigest.Com








Akpan

Thursday, February 19, 2015

How to Make Culture a Driving Force in Your Fantasy Story


When a fantasy buff curls up for a good read he is geared up above all else, for an inventory of unfamiliar customs and practices which—new ways of using the bathroom may make the list—will definitely break the back of convention. And that’s because the plot is more often than not, set in a parallel universe. Many of these yarns brim over with strange creatures which are totally alien to the knowledge we possess on this planet.

In most cases, writers of the fantasy genre do not beat themselves up about culture when creating their stuff as they do say, world-building, original language, and of course, plot and character development. When you add it all together, what most writers really do is ‘allow’ the ‘way of life’ in their created world shape itself as the events in their story unfolds.

You know, I looked up the word, Culture in the dictionary. Here’s what my little research churned up:
G The taste in art and manner that are favored by a particular group;
A All knowledge and values shared by a society;
B The attitudes and behavior characteristic of a particular social group or organization
According to the definitions above, all the practices, customs, rituals, language, in point of fact, all the peculiarities which draw the line between a fantastical universe and the one in which we live are all really one thing, ‘culture.’ It’s amazing when you consider hundreds of stories have been written just by imagining “The taste in art and manner; knowledge, values, attitudes and behavior operating within a particular society totally different than ours.”

1. Use Culture to Create Story Resonance
Often when a writer considers establishing cohesion in his setting the word that most easily comes to mind might be ‘world-building’ rather than moderating ‘the characters’ way of life.’ I think that a wealth of resources is cast away if culture is treated as a passive reaction to story. Observing the way the folks in your story behave and making it trigger the tension—causing the actions in the plot to arise out of their habits and superstitions and inconsistencies in keeping up with rituals—gives you a better shot at sustaining a viable streak.

2. Use Culture to Address Real Life Issues… in a Different Light
When your story people adhere strictly—too strictly, if I may add—to a set of rules and get boxed into awkward situations, you can exploit it for your own benefit by turning it around and making it deal with real life crisis. It may throw light either on a positive or negative subject and your character may stick out his neck for a set of principles and get it ripped off his body in the process. What matters is to get the message across with a little bit more force by consciously making the ‘tastes and behavior’ of your character drive the plot.
3. Use Culture to Explain Paranormal Activities/Magic
There’s a scene in Wolves of the Calla(Book 5 of the Dark Tower fantasy series by Stephen King) where Roland Deschain pours gold and silver coins out of a sack he called a ‘grow-bag.’ The catch is the leather sack was otherwise ‘empty’ before and after he tipped it and poured out the stuff.
            Roland explained it as a gift from his father (the sack, that is) and claimed, “Most of the magic I once knew or had access to is gone, but you see a little lingers.” This comment is significant when we contemplate culture as knowledge shared by a society’ and without it, that leather sack would be nothing but a deus ex machina and we’ll be forced to regard Roland as a gunslinger-turned-sorcerer. The story would barely hold together after that scene.

4. Use Culture to Distinguish Peoples/Societies
This one is a little bit obvious, you will agree. Culture can be really helpful. You can exploit it to create and sustain suspense if you weave it seamlessly into the fabric of your entire plot.
            Creating a fantastical setting is like you telling the reader, ‘it’s a different world from where you come from.’ But when there is another universe or community of people within the same story, culture presents itself a vital material for inventing unique identities. The separate peoples might still share similar values but fiddling with the cultural background might be the perfect way to bring in stunning peculiarities and of course, create conflict.

5. Use Culture to Enhance Character Traits
Sometimes, a setting might invite characters to react in not-so-agreeable ways; situations in your story might evolve and make demands for your story people to act queer. If you’ve been listening to yourself read all along then you know exactly how to get out of a rut. Let culture do the talking.
            You can make almost any odd situation sound plausible. Just call it ‘the old ways’ and have it done with. Better yet, make one of the characters explain how and why it came to be that way. You can use narrative as well or employ flashbacks. But when you need to insert an otherwise inexplicable trait or peculiarity into a character’s profile… think culture.

This unique article of fantasy writing has what it takes to hold a complex plot together and render the characters and plot genuinely legit.

Keep your pens bleeding!

Akpan



Saturday, September 27, 2014

Does a Fantasy Setting Need Its Own Language?


Inscription: "No Good Deed Goes Unpunished"
quote from "Wolves of the Calla" by Stephen King
A good fantasy series does not need its own language. There is simply no reason for it to exist unless the author has a penchant for linguistics because any time it would actually appear in the book, it would have to be translated into an actual language, thus mitigating its usefulness as a distinct language. There are a few conceivable exceptions, like a short phrase or message that is presented in a native form, that is left concealed until later events. However, this usage is no different than a closed door or a locked chest in terms of plot devices.

Any fantasy author, by at least throwing in a few words and phrases in a made-up language, can communicate to the reader that multiple nations or multiple culture-groups exist in this world, which helps to make it believable.

Language is deeply tied to culture so when trying to create distinct cultures or subcultures within a fantasy novel it (language) can be a very useful tool. Language and culture are so inextricably linked that creating a language is essentially creating a culture and doing this really helps to flesh out and define a culture and particular characters from that culture.
Basically language is great for an epic, a story in which we see different cultures. GRRM (George R. R. Martin) does this well in A Song of Ice and Fire, because he uses it sparingly.

It becomes less and less practical to have one common language as the geographical and cultural scope of the story increases. Having various languages that work will also show that the author has put extensive thought into how their ethnic groups have developed—trade languages, regional dialects and divergent forms can all hint at how civilizations have progressed given their relationships to each other and to any observable barriers.

If a distinct vocabulary has been established, the reader might also be able to see distinct cultural values given the right opportunities. Do family names come first or second for individuals? Is poetry terse and succinct or long and flowery?
The area of Wheel of Time was somewhere between the size of Europe and USA. Nevertheless, all people spoke the same language with only few unique phrases per country. In Song of Ice and Fire the Seven Kingdoms are the size of South America, but there is only one common language.
In Stephen King's Dark Tower Series. They all speak English, but in Roland's world if you want a quick snack, you don't have a sandwich, but rather a popkin, and when your grandfather was a kid, he didn't walk five miles (uphill both ways) to get to school, he walked three wheels to get there. Frankly, ‘ka-tet’ sounds a lot better than ‘group of destiny-linked brothers-in-arms. However, when you are creating a new race or species, I don't think it's farfetched to come up with a new language.

Hope you learned a thing or two from all the suggestions. By the way, these were all clipped from comments from a post I published a few years back. I thought turning it into an article would make the whole thing an easier read. You can get the full gist here: Should You Create Language for a Broad Fantasy World? Knock yourself out!

Keep your pens bleeding!

Akpan



Monday, September 15, 2014

How to Write a Story and Not Get Shot


Updated: June.18.2015

Nobody ever told you becoming a fiction writer would involve life-threatening situations, right? And you didn’t choose a writing career so you’d end up in jail or worse, in a casket. If like me, you pick your inspiration from your immediate surrounding, there are a few pitfalls you just have to watch out for. I’ve listed about five here applying well-known proverbs but there might be more.

“A Good Name is Sooner Lost than Won”: You probably heard it said, “Give a dog a bad name and hang him and the name remains.” The saying also applies to fiction writing. Folks don’t take kindly to being made the butt of the joke especially, one where the clown gets paid. Use names that cannot be traced to persons, living or dead. Even if your story is not inspired by an event in your immediate vicinity, make it a personal commitment to avoid picking names associated with local, real people around you, for your story. Most of the time, folks won’t mind becoming a part of your story yet the few exceptions would spell the difference between a fruitful career and an embarrassingly short, unhappy one.

What is Sauce for the Goose is Sauce for the Gander”: Have you ever considered writing a story not sex-driven? Your story people do not have to be male or female. They can be genderless, if it furthers your cause, or even bisexual (we used to call that hermaphrodite back in my high school days.) Here’s a story in your hands that’s a best seller in its own rights but you know you’re going to step on toes if you lay it out the way it is. You’re especially worried about how to keep your story faithful to the character without blowing the real life inspiration out of the water. I think you ought to give this a try; trade genders.

Chinua Achebe:
Legendary writer who almost
got shot for doing his job.
“We Can Live Without Our Friends but Not Without Our Neighbors”: Setting is important to story and for a yarn crawling with sensitive topics, setting is probably everything if the story must hold true. This gig is not called fiction for nothing, you know? Relocating the situation of your story and fine-tuning it to blend in with the adapted setting adds a different twist to the entire deal. If it’s trading places your narrative needs to retain its appeal among local audience, change your story setting.

“The Habit Does Not Make the Monk”: Story is king. Forget about all the misconceptions going the rounds about making your work fit into a standard genre. If attempting to mold your tale into a particular fiction category is going to spell trouble for you, ditch the genre and get the story done anyway you can. Going for the obvious might wake the dead, drawing painful and better-forgotten memories to the fore. Believe me, you don’t need the drama. The habit don’t make the monk and the genre don’t make the story. Your readers are bound to see it for what it is, anyway.

“Speak Well of Your Friends and of Your Enemy Nothing”: What gives profiling its appeal is how it injects life into your fictional characters and gives them the feel of real people. And whether the process is accidental or otherwise (the peeved individual would most likely tell you to ‘shove your excuses where the sun never shines’) most of the conceits you feed into your character are things you notice in the people around you. You can do yourself a favor and add a creative twist when drawing up traits of folks who populate your story. Business can get nasty in a hurry if your mother-in-law spots how the toothless old hag living up a tree in your fantasy series shares her peculiarities.

This is a reheated version of an article I wrote way back 2012 called “Entirely Coincidental.” Just in case, you noticed.

Keep your pens bleeding!

Akpan


Sunday, June 15, 2014

IntShoWriMo 2014: Day 8

Day 8: King’s Law


Today’s Prompt: “Forgiveness is not an occasional act, it is a constant attitude,” said Martin Luther King Jr. imagine a character who needs to forgive someone. Who does he or she need to forgive? What was the nature of the injury? What were its implications? Does forgiveness come easily to your character or is retaliation a more natural impulse? Does your character try and fail to forgive initially? See how your character’s desire to forgive creates obstacles and ultimately, fuels your plot.
— Courtesy: PW.Org

Word Count: 1,152
            “He ought to have known better. It’s supposed to be his job.”
No answer.
            “Damn, I should have killed him on the spot. I should, too.”
            “It would have increased the fatality by one. That’s bad arithmetic.”
            “It’s good equation, though. It is too, considering who’s involved. Leaving him alive creates a chemical imbalance.”
He rolled off the bed and walked around the room in an arc heaving heavy sighs. He turned around abruptly, retraced his steps and sat on the edge of the bed.
            “You can’t resolve this issue with a mathematical formula.”
            “My point,” he said. “Is I didn’t fulfill my obligations to him.” He stabbed the pendant lying in a tangle beside the bedside lamp.
            “Let it rest now.” She reached out and touched his hand. “Come to bed.”
He took her hand in his but kept his back turned to her.
            “You know what, everyday I remember that cussed day, every night the memory of it weighs down on me, and I feel like I played the role of the actor who forgot his lines at the defining moment of the play. The jerk who ended the play before it truly ended.”
She remained quiet. She’d heard those lines rehashed over and over again these past months she might as well live in an echo chamber. Read More Here: IntShoWriMo 2014

Eneh Akpan
June 8th, 2014


IntShoWriMo 2014: Day 7

Day 7: Hard Drive


Today’s Prompt: “Checking Hard Drive… File Corrupt.” With a deadline looming, my heart stopped.
— Courtesy: Writing.Com

Word Count: 1,723
‘CHECKING HARD DRIVE…’
Koko stared at the screen of her inbuilt computer, the sense of urgency charged the air. The street was alive with people but Koko knew better to be wary cause this was 2057 where people had ceased to be just people. Computers ruled the age and people had become Files. Night had covered the world with deceptive ease while she buried herself in work.
‘CHECKING HARD DRIVE…’
            “Shit, this is going to be a long night,” she said aloud to no one in particular. “Can’t you just figure out who is real and which ones are ghosts of their former selves?” she asked the artificial intelligence installed in her Jeep. Just when she decided to spin her wheels, she probably had nothing to fear, her computer shattered her hasty conclusion with a ‘BONG!’
In 2057, that sound had become the next thing to the Final Trumpet Sound. Sitting in her Jeep, alone in the dark of night, the computerized female voice inserted terror in Koko.
‘CHECKING HARD DRIVE’ traded places with ‘virus detected’ and got traded for ‘file corrupt.’


Blue dots filled the computer screen. That signified one thing: she was in danger. She was stuck for alternative routes. Plus, beating the deadline seemed somewhere in the realm of impossible. The blue dots converged cued by an invisible, diabolic director. Then they began to move in on her in slow measured tempo acting out their cemetery choreography. Read More Here: IntShoWriMo 2014


Eneh Akpan
June 7th, 2014


Sunday, June 8, 2014

IntShoWriMo 2014: Day 3

Day 3: The Comic Book Generation


Today’s Prompt: It’s your 18th birthday and, upon it, your parents deliver some pretty shocking news: You’re not really human. They admit that they’ve been covering up the fact that you are actually a (fill in the blank). After hearing the news you still decide to go to school, but this school day is different than all your school days past, especially when it’s revealed to others what you truly are.
— Courtesy: WritersDigest.Com

Word Count: 1,406
            “I can’t make things pop out of thin air if that’s what you’re thinking.”
I could feel their eyes crawling all over me like a million needles and pins.
            “So what exactly do you do, then?” Alicia asked.
            “Maybe, he can spin a web like Spiderman.” Rebecca suggested.
There were a few giggles after that last statement.
            “Well…” I said.
            “Maybe, he can dance standing on his head.” That was Dick.
This announcement was followed by an uproar.
            “I’ve not really attempted that one but yeah, I think, maybe, I could if I gave it a try,” I said.
            “Don’t think. Just do it,” Dick said.
            “You don’t think before breathing, do you?” Rebecca.
            “Or before falling in love,” said a kid with a low punk haircut whom we called Groovy.
That got everybody in the classroom roaring with laughter. Even Amen, my best buddy, was slamming his fist into his desk again and again bellowing a belly laugh.
            “Sshhhh…..”
And the silence held sway for a moment.
Just then some kid in the front seat flung a ball made from crumpled paper at me. I caught if off the air and made a paper aircraft out of it in the space of 5 seconds and tossed it. It glided in an arc round the room and returned to me. I snatched it out of the air.
The silence weighed down on my eardrums like a dead weight. I felt the eyes of the entire class trained on me. As far as I was concerned, I knew I had done something awesome but if you asked me to create a chemical formula to explain the process, you’d be barking up the wrong tree.
            “Dude, how on earth did you do that?” Dick whose eyes bulged with surprise asked.
            “I didn’t think. I just did it,” said I.
            “Do it again,” Shorty said.
            “I can’t.” I lied. “I don’t know how it happened.” Which was true. “Reflexes, I guess.” Which was both the truth and a lie. Read more here IntShoWriMo 2014


Eneh Akpan
June 3rd, 2014


Sunday, June 1, 2014

IntShoWriMo 2014: Day 1

DAY 1: Toxic
  
Today’s Prompt: Fifteen years after a toxic spill in a small town, strange things are happening.
                                                                                                            —Courtesy: Writing.Com
 Word Count: 1,534
A man was standing in the middle of the road when her SUV came bumping along busting on the scene from a sharp corner. She was doing approximately, 120 miles an hour and barely had time to coordinate her reflexes and slam down the brakes to avoid running over the man who as it turned out was totally unaware of the situation. All he did was stand by and watch like the whole incident was playing out on one of those big screens you spotted at a movie drive-in. Her final thought, before she rammed the bumper into the railings and went flying off the road into the cliff below, was, Oh God, I’m going to die. Not this way, oh God, please. She was wrong on both counts.

            “Well, what do you have to say for yourself?”
She opened her eyes to blinding darkness. She was lying face up on a bed. She said the only thing that felt reasonable in this peculiar situation. “How did I get here?” And immediately, her mind supplied an answer. I must have survived the drop off the cliff. “What’s that rumbling sound? Is there a mill of some sort close by?”
            “No. that’s the sound of the train coming down the track. And don’t worry, nobody’s catching a train today, the rail’s a few miles off this place.”
Something struck her funny about the voice talking to her. It had the timbre of a child’s voice yet, bore the weight of maturity.
            “Where are your parents?” She turned her head as much as the racking pain in her body allowed her but all she made out in the darkness was a silhouette.
            “I am my parent. Who are you? Where are you from? How did you get here?”
            “My name is Ayara.” She didn’t know if she could trust this strange personality but given the circumstance, she didn’t have a choice. “I had an appointment to meet a client. Shortcuts are my fetish.” She shrugged like that ought to explain the details.
            “Shortcuts can be wrong cuts.” The kid-man said, not unkindly.

Read the rest of the story here: IntShoWriMo 2014

Eneh Akpan
June 1st, 2014



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Thursday, January 23, 2014

7 Sources of the Contemporary Fantasy Genre


This post is not so much a collection of exhaustive or even major sources of the modern fantasy genre but a list of some elementary stuff, which feeds this spectacular category of fiction. The fantasy genre has risen in popularity in recent times and it hasn’t showed any signs of losing steam.

A long narrative poem in elevated style presenting characters of high position in adventures forming an organic whole through their relation to a central heroic figure and through their development of episodes important to the history of a nation or race. (Harmon and Holman)

The first epic poetry were oral since speech came before writing or so we want to believe (we weren’t there in the beginning, were we?) And back in the day poetry was transmitted from person by word of mouth. Therefore, oral poetry can also be epic poetry.

This class is also known as urban myth, urban tale, or contemporary legend. And is a form of modern folklore consisting of stories that may or may not have been believed by their tellers to be true but merely that it is in circulation, exhibits variation over time, and carries some significance that motivates the community in preserving and propagating it.

3. Myth:
According to Alan Dundes, a myth is a sacred narrative explaining how the world and humankind assumed their present form, although, in a very broad sense, the word can refer to any traditional story.

Myths are usually historical events, which are truly depicted or gilded over with elaborations and are usually endorsed by the rulers and priests of a culture. Usually, the narrator believes the tale as true and it’s used as allegory for or personification of natural phenomena, or as explanation of ritual. Myths communicate religious or idealized experience, and teach moral lessons.

A fairy tale as a form of short story features characters such as fairies, goblins, elves, trolls, dwarves, giants, witches mermaids, or gnomes, and in several cases, magic.
Unlike legends and epics, they usually contain trivial references to religion and actual places, people, and events; they take place ‘once upon a time’ rather than in actual times.

5. Superstition:
The belief that one event leads to the cause of another without any natural process linking the two events through a process that contradicts natural science.
Superstition as it relates to folklore is an excessive fear of the gods or unreasonable religious belief.  It also applies to beliefs and practices surrounding luck, prophecy and spiritual beings, particularly the belief that future events can be foretold by specific unrelated prior events.

6. Legend:
A legend is a narrative of human actions that are perceived both by teller and listeners to take place within human history and to possess certain qualities that give the tale verisimilitude.
The events within a legend is perceived (or better yet, believed) to be possible even though the narrative may include miracles and outrageous details of the hero’s exploits.
The Brothers Grimm defined legend as folktale historically grounded.

7. Folk Art
Folk art encompasses art produced from an indigenous culture or by peasants or other laboring tradespeople.
Unlike, fine art, folk art preserves the ideals of a culture and is practical in purpose for example, it is used to tell a story or communicate information/instruction. The nature of folk art is specific to its particular culture.


So, there you have it, a succinct inventory on the constituents of one of the most fascinating genres you would read or write.

Keep your pen bleeding.

Akpan



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