Showing posts with label story writing. Show all posts
Showing posts with label story writing. Show all posts

Monday, September 15, 2014

How to Write a Story and Not Get Shot


Updated: June.18.2015

Nobody ever told you becoming a fiction writer would involve life-threatening situations, right? And you didn’t choose a writing career so you’d end up in jail or worse, in a casket. If like me, you pick your inspiration from your immediate surrounding, there are a few pitfalls you just have to watch out for. I’ve listed about five here applying well-known proverbs but there might be more.

“A Good Name is Sooner Lost than Won”: You probably heard it said, “Give a dog a bad name and hang him and the name remains.” The saying also applies to fiction writing. Folks don’t take kindly to being made the butt of the joke especially, one where the clown gets paid. Use names that cannot be traced to persons, living or dead. Even if your story is not inspired by an event in your immediate vicinity, make it a personal commitment to avoid picking names associated with local, real people around you, for your story. Most of the time, folks won’t mind becoming a part of your story yet the few exceptions would spell the difference between a fruitful career and an embarrassingly short, unhappy one.

What is Sauce for the Goose is Sauce for the Gander”: Have you ever considered writing a story not sex-driven? Your story people do not have to be male or female. They can be genderless, if it furthers your cause, or even bisexual (we used to call that hermaphrodite back in my high school days.) Here’s a story in your hands that’s a best seller in its own rights but you know you’re going to step on toes if you lay it out the way it is. You’re especially worried about how to keep your story faithful to the character without blowing the real life inspiration out of the water. I think you ought to give this a try; trade genders.

Chinua Achebe:
Legendary writer who almost
got shot for doing his job.
“We Can Live Without Our Friends but Not Without Our Neighbors”: Setting is important to story and for a yarn crawling with sensitive topics, setting is probably everything if the story must hold true. This gig is not called fiction for nothing, you know? Relocating the situation of your story and fine-tuning it to blend in with the adapted setting adds a different twist to the entire deal. If it’s trading places your narrative needs to retain its appeal among local audience, change your story setting.

“The Habit Does Not Make the Monk”: Story is king. Forget about all the misconceptions going the rounds about making your work fit into a standard genre. If attempting to mold your tale into a particular fiction category is going to spell trouble for you, ditch the genre and get the story done anyway you can. Going for the obvious might wake the dead, drawing painful and better-forgotten memories to the fore. Believe me, you don’t need the drama. The habit don’t make the monk and the genre don’t make the story. Your readers are bound to see it for what it is, anyway.

“Speak Well of Your Friends and of Your Enemy Nothing”: What gives profiling its appeal is how it injects life into your fictional characters and gives them the feel of real people. And whether the process is accidental or otherwise (the peeved individual would most likely tell you to ‘shove your excuses where the sun never shines’) most of the conceits you feed into your character are things you notice in the people around you. You can do yourself a favor and add a creative twist when drawing up traits of folks who populate your story. Business can get nasty in a hurry if your mother-in-law spots how the toothless old hag living up a tree in your fantasy series shares her peculiarities.

This is a reheated version of an article I wrote way back 2012 called “Entirely Coincidental.” Just in case, you noticed.

Keep your pens bleeding!

Akpan


Friday, May 2, 2014

IntShoWriMo On My Mind


The month of April holds a special spot in my heart and it’s besides the fact it’s the month dedicated to my pet genre—National Poetry Writing Month (NaPoWriMo) 2014 ended officially on 00:00 hrs on 30th April, 2014.
                One reason is I was born on a Good Friday in the month of April several hundred years ago. Then the internet became second home to me about five years ago when I joined an online writing community on April 7th. And then again, Maya Angelou, who happens to be my favorite mentor/poet, was born on 4th of April.
And now you know why April gatto be the greatest month of the year.

The month of June is just around the corner. And just as April is known as the Poetry Month, June has become at least, for me, the Short Story Month otherwise called IntShoWriMo.
          IntShoWriMo is short for International Shorts Writing Month—formerly, NaShoWriMo; I was forced to change the name the previous year because a couple of sites around the internet have used it. Although, these sites are no longer operating, I think safe is well, safer than sorry.

The challenge is about writing 30 shorts in every form—short shorts, flash fiction, and the longer short stories—in 30 days to be written on/before midnight June 30th. I’ve written over 90,000 words since 2012—the year of inception. I’m not striving for more words than I did last year in 2014. Nope, that’s not in the plan. But I do hope to have my 30 stories down pat before 00:00 hrs on 30th of June.
                Just in case you were wondering, this is an official invitation to take part in this great and exciting adventure. I’ll be speaking more on this soon.

Keep your pens bleeding!

Akpan


Sunday, September 15, 2013

A Character is NOT a Rose

Bram Stoker's (1847-1912) Notes on the persona...
Bram Stoker's (1847-1912) Notes on the personal for his novel Dracula. (Photo credit: Wikipedia)

Roses will always smell sweet. I can't say the same about characters who seem to be strung up on hubris by default.

In fiction, the names given to characters are almost as important as the theme of the story. That fact is beyond dispute. You have to make character names as memorable as character traits.

A vampire that stalks the night who goes by the name Dracula would strike terror into the hearts of folks long before his true form is revealed. Consider Lord Voldermort in the Harry Porter series. And the fact that the villain's name was altered after he turned and became a twisted sorcerer.

In real life, in fiction even in scripture, names have featured elaborately in programming the mindset of its bearer as well as those of the people around them. Readers would root for heroes with memorable and likable names. But there are rare moments when an heroic feat hauls an otherwise ordinary name into a threshold of heroism.
                It's art and in this realm, rules are flimsy things.

As precaution, make an habit of giving your protagonists admirable names and then tag your villains and anti-heroes with horror-inducing names unless you  know, to do otherwise, would sell your story faster.

A rose by any other name will smell sweet but a character on the same basis will definitely suck. That's food for thought.

Keep your pen bleeding.


Akpan


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Thursday, August 15, 2013

Did Stephen King Get the Idea for His book Under The Dome from His Tommyknockers Novel?


It’s pretty much likely I’ve stumbled on the origin of Stephen King’s Under The Dome (UTD)… and it’s absolutely not The Simpsons Movie. The book with a goodish length, which only recently got adapted to a miniseries on CBS has been quite the source of controversial stint since its release into the fiction market in 2009. Stephen king has defended the originality of his idea for the book on his website by posting a 61-page facsimile excerpt from his original novel The Cannibals, an unpublished unfinished 450-page handwritten novel written in 1982, while King was filming Creepshow.

All comparisons from The Tommyknockers novel were retrieved from only the last three chapters of the book.


The Year 1982
With what I have, I’m probably a little more apt to hit the bull’s eye than earlier speculations. Did you see the figures in red above? What’s so special about them? Draft for The Cannibals, which eventually, became Under The Dome (UTD) was written that year. The same holds for The Tommyknockers (TK) draft if the date at the bottom of the page (August 19th, 1982) after the Epilogue is anything to go by. It’s a possibility that one complex story idea spilled over into another story, eh? Most Stephen King fans (and we run into millions) would agree it’s one of his quirks.

Date of Publication Puzzle
Another puzzling detail is the publication dates for the two novels. Apparently, they coincide. Although, published in different years, I’d say about twenty two years apart, both books were published on the same date, November 10. The Tommyknockers came out in 1987 while Under The Dome was released into the market in 2009. Am I saying King did that on purpose? Maybe. Do you have a better explanation?

The Dome vs. The Force Field
In both stories, there is a shield of some sort checking movement beyond the borderlines of both towns. The Havenites (in TK) set up a kind of extraterrestrial force field around their town. Composed of odorless toxic gas, the field stops intrusion from the outside world. The dome in UTD performs a similar function and people who got too close to its source risked exposure to radiation.

The Pacemaker Explosions
We find pacemakers detonating when individuals who had one of these gadgets on them made contact with the Dome/Force field. In both cases, the result is instant death. Is it a wonder that both victims are law enforcement officers? In TK, when Henry Amberson a forest ranger from Newport, one of the men sent in to inspect a possible forest came within spitting distance of the field around Haven his pacemaker exploded in Amberson’s chest. And Police Chief Howard "Duke" Perkins is soon killed when his pacemaker explodes after getting too close to the Dome in UTD.

There are two recorded plane crashes influenced by the barrier around the town of Haven in The Tommyknockers novel. In UTD, the coming of the dome was duly publicized when a Seneca V plane crashed into it killing the wife of the town’s first selectman. Later on, a 767-jetliner conveying passengers over the town of Chester’s Mill disintegrates on impact with the invisible barricade. Two plane crashes in two stories both upshots of barriers of alien origin. Coincidence? I think not.

The Alien Gadgets in the Towns’ Back Fields
Bobbi Anderson discovered the flying saucer buried under the ground in her back field in The Tommyknockers and in Under The Dome, a group of curious teens discover the alien generator, the source of the dome, in the town's back fields.

Okay, I’m out of ideas but if what I got here don’t qualify for weird coincidence, I don’t know if anything else does.


Akpan



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Saturday, January 19, 2013

15 Tips On Adding Suspense to Your Scenes


An indispensable tool when amping up your plot, suspense can make your story memorable or prove it to be totally penny dreadful. It is unarguably a very important part of writing fiction. And it's no wonder, a lot of experienced insiders have spoken about the necessity of adding suspense to your scenes and allow it to carry the story to the heart of the reader. Read on, you might learn a thing or fifteen but it sure won't hurt.

Photo: nashvillearts.com
The courage to imagine the otherwise is our greatest resource, adding color and suspense to all our life.

Suspense is like a woman. The more left to the imagination, the more the excitement. Although I do not profess to be an authority on women, I fear that the perfect title [for a movie], like the perfect woman is difficult to find.

In suspense novels even subplots about relationships have to have conflict.
― Jeffery Deaver

There is nothing like suspense and anxiety for barricading a human's mind against the Enemy.

For success, the author must make the reader care about the destiny of the principals, and sustain this anxiety, or suspense, for about 100,000 words.
― Ken Follet

We all live in suspense, from day to day, from hour to hour; in other words, we are the hero of our own story.

Show me a character whose life arouses my curiosity, and my flesh begins crawling with suspense.

Even cowards can endure hardship; only the brave can endure suspense.
― Mignon McLaughlin

Suspense is very important. Even though this is humor and they're short stories, that theory of building suspense is still there.
Sergio Aragones        


As for suspense, I like to write books that draw you into the hero's plight from the opening pages, where people put their lives on the line for something - a belief, a family member, the truth.
― Andrew Gross

The rules of suspense are that you do know, and you just don't know when.
― Gus Van Sant

Tradition is the enemy of suspense.
― Steven Moffat

You have to go out of your way as a suspense novelist to find situations where the protagonists are somewhat helpless and in real danger.
― Nelson DeMille

Tension and suspense come from characters whose goals conflict with each other.
― William G. Tapply

I'm fortunate to be a coward, to have a low threshold of fear, because a hero couldn't make a good suspense film.
― Alfred Hitchcock



Akpan



Thursday, September 27, 2012

How to Make your Story Compelling

If anything’s 100% guaranteed to put the kick in your story, it’s your fictional people–your characters.

Story is important, yes. But somebody once said, Plot is character. I believe him/her. And you will as well once you see what this post has to offer.

Your story is bound to move your readers if it’s populated with compelling characters

Will Smith and son in Pursuit of Happyness
Photo credit: Flickr
Readers want characters they can identify with.

The protagonist of your story does not necessarily have to be superhuman. They don’t even have to fit into the prototype Rambo-style hero niche. The single ingredient which shoves a reader beyond the edge of reality and sends them scrambling into your fictional world (and if I may add, with great pleasure) is how much you make your characters partakers in the fellowship of your reader’s sufferings.

Compelling characters are often than not, ordinary people going through the motions, having the blues. And especially, characters who attain the goal of their dreams when they come through. That goal could be anything from something as other-worldly as superpowers to one as ordinary as a job. (I’m thinking of Will Smith in the Pursuit of Happyness, here.)

What are the things that strike you about your favorite stories? Who are your favorite characters? There might be a story there.

Plot is what your characters do. The bottom line is who your characters are and what your characters do should be interesting or you end up with a blunt tale in your hands.

Without compelling characters, there can be no compelling story.

Let your pen bleed!

Akpan



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