Showing posts with label Vampire. Show all posts
Showing posts with label Vampire. Show all posts

Saturday, January 11, 2014

Count Dracula: Traits and Peculiarities


Bram Stoker absorbed Central European folktales into his vampire novel which on publication became the definitive volume for every other book and film in the genre. His eponymous character, Dracula has also become the modern vampire archetype. From Stephen King's Salem's Lot to Anne Rice's Vampire Chronicles to the Television's Vampire Diaries. 

Christopher Lee as Count Dracula.
The film 'Dracula' portrayed by Christopher Lee is the first vampire movie I ever watched.
Courtesy: Wikipedia
The name “Dracula” is Romanian and stands for Son of the Dragon. It is the self-given name of Vlad III the Impaler, an historical figure whom it is assumed is a partial inspiration for Stoker's character. It is widely believed among scholars that Stoker, while researching for his novel, came across papers on Romanian history and folklore and was inspired to alter the name of his character which he'd formerly named, Count Wampyr.

Dracula is the most portrayed of all characters in the horror genre and is the second most adapted character in film behind Sherlock Holmes. He is so ingrained into popular culture that he has become an Halloween staple.

According to accounts in the novel, the blood-sucking Count studied the black arts and is a master of alchemy and magic. And that qualifies him as a sorcerer.

He died and was buried in his castle but as we all know, he returned as the nosferatu (undead). Dracula is immortal though not invincible. He is a centuries-old vampire with dreams of world-domination which was his underlying reason for luring Jonathan Harker, the main narrator of the novel and an English solicitor to his castle. Harker taught him a great deal about England.

Dracula, the powerful vampire, lives in a ruined castle on the Carpathian Mountains with three beautiful female vampires. Their relationship to him is unclear with suggestions ranging from lovers to sisters to victims. He is a Transylvanian nobleman, a “voivode” or Wallachian prince. He commands an air of aristocracy. Unlike most modern day vampires, Dracula walks in daylight and the sun is not fatal to him. Even though, his supernatural abilities are drastically subdued by daylight. He can only cross running water at low or high tide.

Being a powerful sorcerer, Dracula is also a shape shifter who on different occasions transforms into a wolf, a bat, and a dog. He can also dissolve into a mist. He possesses superhuman powers to control some animals like bats and rats. Yet, even in his human form, the Count could slip through a crack in the wall.

He craves rest/sleep to regenerate. He can only regain his strength by sleeping on Transylvanian soil which he keeps close to himself inside large boxes. He has hypnotic and telepathic abilities. He also controls the weather, invoking storms on “The Demeter,” the Russian ship that brought him to England and by creating a mist so his presence remains undetected.

Count Dracula
Count Dracula Courtesy: Helgi Halldórsson/Freddi
Dracula's bite transfers his vampire genes into his prey automatically making them slaves of the vamp. When the victims die, they turn into vampires. Count Dracula's demise lifts the curse of the vampire off a living victim so that when they die a natural death, they stay dead. That’s kind of a blessing, of course. But would it not be nice to be immortal?

Stoker's vampire character can levitate and he flies when he transforms into a bat. His image is not reflected in mirrors and he can vanish at will and reappear someplace else. However, despite all these supernatural abilities, this most powerful of vampires cannot step into an abode unless invited in.

Dracula drinks blood-fresh blood.

Count Dracula shape shifts freely at night. However, he can also do it at dawn, noon, and dusk but he is restricted. In his employ, are gypsy body guards. These servants of his know his real nature, but remain fearless and loyal to him, regardless. He exercises a certain degree of influence over other vampires, even ones he didn't transform. He can retract his fangs.

The undead blood-sucking fiend is not a big fan of holy symbols like the crucifix and communion bread. Besides, he has a fierce aversion to garlic. The vamp can be destroyed through all the traditional means of killing vampires however, in the novel, he is vanquished by one character slitting his throat and another driving a Bowie knife into his heart.

What Bram Stoker did was give to the world an immortal character; a vampire we love to hate, whose very memory transcends fiction and now lodges in the darkest regions of our hearts.

Keep your pen bleeding!


Akpan


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Friday, February 22, 2013

10 Less Common Vampire Traits

Photo credit: sodahead.com
Updated: Nov. 6th, 2016

Ever since Stoker created his Dracula-probably, the greatest anti-hero of all time and definitely, the most adapted villain in film and literature-vampire writers as well as film makers have added several improvisations to the vampire genre

Just like the more commonplace, the less-known traits exist as well. And thing is, each of these gains a better foothold with the release of every new film and lit. 


1. Sympathy Towards Humans
It's not every day you hear a vamp sympathize with humans. Why should they? Humans are food to vampiresBlade is a fine example of a vampire with heart. Edward Dalton, head hematologist (blood doctor) in Daybreakers felt sympathy towards humans, as well.

2. Invitation into Private Residence
In Salem's Lot a vampire had to be invited by the occupant of a house or they were powerless to enter. A scene in Ninjas vs. Vampires has a female vampire asking to be invited in by a guy before she could go in. Most modern vampires don't need IVs. They know their way in.

3. War Between Vampires
In Blade II a vampire hybrid feeds on other vampires giving the idea of dissension within the bloodsucking world. In Twilight the Cullen family battle James and his team for the life of Bella Swan. In The Saga of Darren Shan, the vampires are at war with the vampaneze (a bloodthirsty variant of the vampire). Usually, vamps co-exist in mutual confidence and reciprocal virtues *clears throat*.

4. Telepathy
Markus from Underworld gains access to other people's memory bank by drinking the victim's blood. Throughout the movie, there is a bonding of minds through drinking of blood. In Bram Stoker's Dracula, Mina's mind bonds with the Count when he traps her under his power. An event like this one is scarce in the vampire genre.

5. Holy Symbols
Science easily becomes the new magic. Recently, somebody shared a link on Reddit about a group of scientists creating a zombie virus. Back in the day, zombies were strictly tied to voodoo. Back to vampires, in Underworld, Daybreakers, The Vampire Chronicles, Blade, Abraham Lincoln: Vampire Hunter and many others, holy relics do not harm, scare, or kill vampire. You could scratch a few with 'em if you got close enough besides that holy symbols are just objects.

6. Flight
Most powerful vamps glide effortlessly. However, besides the bloodsuckers in Stephen King's Salem's Lot, Markus in  Underworld and, the 'subsiders' (who grew wings) in Daybreakers most vampires have no business off the ground. If they really feel like flying they might catch a plane.

7. Blood Substitute
Blade used a special serum to fight off his thirst for blood. In Daybreakers where a plague turned the entire world into vampires reducing humans to a mere 5% of the population, blood was in scarce supply and research for a blood substitute was inevitable. You don't see this kind of stuff in every vampire movie.

8. Human Lovers
Dracula had Mina (Bram Stoker's Dracula); Edward Cullen had Bella (Twilight Saga); Selene had Michael, who later became a hybrid vampire/werewolf (Underworld); Darren Shan had Monkey girl (The Saga of Darren Shan), the list goes on. This trait is almost fit to be part of the common vampire traits.

9. Associate with Werewolves
The werewolf is a sworn enemy of the vampire but modern writers have added a new twist to the age-old feud between the two species. In Twilight, a pack of werewolves fought side by side with vampires against bloodthirsty vampires from another coven; Underworld has a hybrid of werewolves called Lycans protecting and serving vampires. Remember, Dracula can only be killed by a bite from a werewolf. This is a fine twist to the old vampire legend.

10. Resents Being Vamps
Now ain't that a bitch. Edward Dalton (Daybreakers) resents his brother for turning him into a vamp and fights relentlessly to find a cure. He also refuses to drink human blood. Darren Shan (The Saga of Darren Shan) was coerced to turn a vampire to save his friends life. For turning his mother while she was pregnant with him thereby, making him a half-vampire, Blade (Blade) hunted and killed vampires all his life.


The mentioned traits, with exception of one or two, are rare and unusual additions to vampire lit. and film. All of these are without argument, great plot devices which never cease to thrill vampire movie and book geeks the world over.

Keep your pen bleeding.



Akpan








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Monday, February 18, 2013

Character Archetypes of the Horror Genre


Ghost
Ghost  Photo credit: Pétur Gauti

A look at character archetypes of the horror subgenre. This is a personal thing, really. Once, I found a website that classified all the prototype into only three classes: The Vampire; the Ghost and the Monster. I discovered doing it this way kind of leaves room for a little improvisation (for me, at least), I can focus on the individual character archetypes and talk about each one at a time instead of lumping them together in one bogus family tree.



The Vampire
The vampire is one of the shape shifters of the horror genre. And probably, the most famous of the undeads. Somebody once commented on how swiftly the character has evolved through time and even faster than the flu.
Modern films and books keep inventing new forms of the vampire story finally creating vampires who can co-exist with humans in a near-cordial relationship.

Another shape-shifting character and for the most part sworn enemies of the vampire. This character is considered a lycanthrope or a wolfman whose transformation takes place at the appearance of the full moon. It wields a form of power stronger than a man's and a wolf's combined.

Extraterrestrials
Aliens or ETs are intelligent life forms from space. Although, in some fictional works, some of these extraterrestrial species are a positively productive bunch, many of their type like the ones featured in Stephen King's Dreamcatcher for example. Another good example are the set of ETs on the X-Files.

Psychos
I decided I'd detach these set of villains from the monsters for a special reason; most psychos are super-intelligent beings. (Their level of intelligence is probably too advanced for them and they eventually, self-destruct.) Thomas Harris' famous anti-hero, Hannibal Lecter falls under this category and probably, the prototype mad scientist, Frankenstein.

Monsters
The characters called monsters besides anacondas, devilish sewer rats, usually possess a low IQ yet, their blood boils with the essence of evil.

Zombies
These characters are classified as undead along with the vampires, the werewolves, and the ghouls. The zombie is a specie of mindless, reanimated corpses who feed on human flesh. George A. Romero's Night of the Living Dead is considered a progenitor of the fictional zombie in modern fiction.

Ghouls
These characters are also shape-shifters as well as the undead. I have placed the Ghosts and the daemons or spirits in this category. Ghouls are desert-dwelling, shape-shifting, evil daemons. But since I also refer to the ghost, ghouls are also spirits of dead people and include the supernatural beings like evil spirits and the likes. 


If, perhaps, you have a better method of classifying these horror archetypes, I'd like to see what you got to give.

Keep your pen bleeding.



Akpan






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Thursday, February 14, 2013

10 Most Common Vampire Traits

CHRISTOPHER LEE AS COUNT DRACULA

Updated on June.16.2015


Vampires are mythological or folkloric beings who subsist by feeding on the life essence (generally in the form of blood) of living creatures, regardless of whether they are undead or a living person. -— Wikipedia

The horror world's favorite undead species seem to have it all. Favored above zombies and werewolves, these bloodsuckers almost take it all in their stride. I didn't want to wander too far out from the facts so, I made myself sit and watch/re-watch several fine vampire movies and series. And of course, I sourced for online info to boot.

Some traits, fans believe, make vampires what they are. These traits are regarded as prerequisites  for identifying bloodsuckers. And although, there have been drastic modifications in the field these characteristics remain seemingly untouched and well-preserved.



1. Thirst For Blood
What else is new? Thirst for blood is the definitive vampire characteristic. The idea is really pronounced in the movie Daybreaker. I'm yet to see a movie which refutes this fact. After all, it's the reason vampires are called bloodsuckers which is a synonym of the word vampire. But I might be wrong, you know. I'm judging from the point of view of someone who's watched only over 30 vampire movies/series. They feed both on human and animal blood.

2. Immortality
These guys are not called undead for nothing, are they? They've been dead and back, not back as humans but in a twisted form and this realm permits the abomination they became. In movies like Underworld vampires develop a technique which allows them to travel through time something called HIBERNATION. They stay frozen in a grave for a couple 100 years until the Elders activate or awaken them.

3. Hypersensitive to Sunlight
Generally, vampires avoid contact with direct sunlight. Those who risk it bust into flames or turn to ash. In Salem's Lot however, sunlight only hurts the night crawlers, it isn't fatal. The character Selene  in Underworld is no longer irritated by sunlight when she gains special powers after drinking blood of the vampire forefather, Alexander Corvinus. Dracula is only weakened by sunlight.

4. Extraordinary Healing Ability
Vampires heal fast. In Blade Wesley Snipes acting as the eponymous character slices off a vampires arm and in the next scene, regeneration of the lost arm occurs. In other movies, the regeneration occurs faster, almost instantly to a  point the vampire appears immune to weapons. These night crawlers also seem to heal faster in moonlight or to regenerate quicker after drinking blood.

5. Reproduction by Biting
Vampires bite to gain access to the human veins because they feed on blood. When a vampire bites, the venom is transmitted into the victim's blood stream and s/he turns. Even though, there are instances of vampire bites killing the victim outright, the fastest method of reproducing vampires is via biting. And most films and books seem to follow this idea.

6. Superhuman Ability
All works of film and literature seem to agree that vampires acquire enhanced strength when they turn. From Blade to Underworld to the more recent film Abraham Lincoln, Vampire Hunter, people do extraordinary stuff when they become vampires. And sometimes, they learn combat skills pretty fast.

7. Speed
Since Bram Stoker said, The dead ride fast, it seems every vampire book and movie has been trying too hard to live up to the very last letter of those words. Watch The Saga of Darren Shan and get a taste of what I'm getting at. But then, any vampire flick features fast bloodsuckers. Why not, no rational human is gonna wait around for one slow vermin to have a go at them. The adrenaline in a vamp's blood is always rushing to overflowing like a shot of morphine straight to the head.

8. Stakes
Every vampire is susceptible to stakes. The stake might be of oak or some other exotic tree, it might be ash stake or it might be a metal of any kind, silver, steel, whatever. Thing is once the stake goes through the heart of a bloodsucker, it dies. Another thing is if the stake is pulled out before the monster either busts into flames or turns to ashes, the wound heals and the vamp lives to fight another day.

9. Fangs
All the vampires I have read about or watched on TV have fangs. In certain situations, the canine teeth are retractable. They need these to pierce the flesh so they can suck out the juice.

10. Fire
All the guys with twisted lust for blood have an intense aversion for fire. Generally, flame destroys vampires of all power levels and many of their opponents wield it as a weapon when combating them. Even in the age of mass cleansing in European folklore, fire was considered a potent weapon of annihilation for vampires.

The traits listed here are true at least, eight out of ten times for all vampires in film and literature.

Keep your pen bleeding.

Akpan



Sunday, February 3, 2013

20 Final Lines From Horror Novels



It was a trifle easier coming by grabbing first lines for my article Explosive First Lines of 30 Great Books which I posted on this blog in 2012 than it was finding equally absorbing and memorable last lines albeit, from horror literature for this post.

Because reading a final line could be a little bit like trying for Egyptian hieroglyphics 'specially, if you've never read the quoted novel before, you will find that some paragraphs are a little on the lengthy side. It's meant to give you a whiff on events leading up to the final scene. So you won't be kept too deep in the dark. And don't think because these are collected from horror stories, there would be an excessive gilding of dark matter. There is a hiatus from all the madness, you see.



1. Desperation by Stephen King
     "Do you understand the reference, David?"
     David took the blue pass. "Of course. First John, chapter four, verse eight. 'God is love.' "
She looked at him for a long time. "Is he, David? Is he love?"
   "Oh, yes," David said. He folded the pass along its crease. "I guess he's sort of . . . everything."
     Cynthia waved. Mary waved back and gave her a thumbs-up. Steve pulled out and Mary followed him, the Acura's wheels rolling reluctantly through the first ridge of sand and then picking up speed.
     David put his head back against the seat, closed his eyes, and began to pray.

2. Dark Mountain by Richard Laymon
    He went for the stairs, took them three at a time, and reached for the door handle.     The door swung away from him.     "Sorry it took so long," Smeltzer said. "Had to use the john."    "No problem." Jake turned away, not even trying for a glimpse of the wife, and trotted down the stairs.     From behind him came her voice. "This really is the pits."     "Better safe than sorry," Smeltzer said.     "Of course."

3. Girl of My Dreams by Richard Matheson (from The Unexplained)
     It was the arm of a dead woman that he clutched. With a gagging sound, he jerked his hand away. He gaped at her, unable to speak or think. Then, as he backed away, his eyes were drawn to the calendar on the wall and a phrase crept leadenly across his mind: one of these days. Quite suddenly, he began to laugh and cry. And before he fled, he stood at the window for an hour and twenty minutes, staring out, wondering who the man was, where he was right now and just what he was doing.


4. Vittorio The Vampire by Anne Rice
Pray it never takes a slaughter or a rape for you to see this light in those around you. God forbid it that it should demand such a price. Let me pay the price for you instead.


5. Strangers by Dean Koontz
Soon, when Dom had passed the gift to her, as she would ask him to, she'd be able to heal with her touch. More important, with only her touch, she would be able to pass unto others the power to heal themselves. The human life-span would increase dramatically overnight-three hundred, four hundred, even five hundred years. Except for accidents, the specter of death would be banished to a distant horizon. No more would the Annas and Jacobs be wrenched away from the children who loved them. No more would husbands have to sit in mourning at the deathbeds of young wives. No more, Baruch ha-Shem, no more.


6. Hannibal by Thomas Harris
     We'll withdraw now, while they are dancing on the terrace-the wise Barney has already left town and we must follow his example. For either of them to discover us would be fatal.     We can only learn so much and live.


7. Mr. X by Peter Straub
But since you have put a question to me, I can ask one in return. Are you sure-really sure-you know who told you this story?

8. The Great and Secret Show by Clive Barker
It would not be long before dawn, and at the first sign of the sun they'd have to go to sleep. But until the light came-until the real insisted upon their imaginations-they stood watching the darkness, waiting, half in hope and half in fear, for that other sea to rise from dreams and claim them from the shore.


9. Shadows by John Saul
     From the first time since she'd brought him home from the Academy, Brenda MacCallum knew that her son was going to be alright.


10. The Host by Stephenie Meyer
     "It's a strange world," I murmured, more to myself than to the other native soul.     "The strangest," he agreed.


11. Dr. Death by Jonathan Kellerman
"So no way you'll stop."She played with her hair. "Who knows what I'll do?"


12. Bloodline by Jill Jones
Jonathan rolled over on the bed and tugged her into his arms. "It doesn't matter," he said, grinning and running his hands through her hair. "I have all I want in my arms right now."


13. The Reapers by John Connolly
After a time, he nodded, both to himself and at the man who he knew was following his progress:     Louis, the killer, the burning man.     Louis, the last of the Reapers.


14. Shadow Prey by John Sandford
The thing called Stephanie Bekker heard the words "Jesus Christ," and then it was gone forever, leaving a single bloody handprint six inches below the Princess phone.


15. Covenant with the Vampire by Jeanne Kalogridis
The overwhelmingness of it (the perfume on the other character's body) offended my predatory senses, but the spicy fragrance could not hide for me, the scent of one undead; a non-odour, born of absences-the absence of warmth, of the strong animal smell of the living.


16. Others by James Herbert
Me? I'm enjoying the short time I have left. When the pain eventually gets too bad, then that's when I'll use drugs again, but only those prescribed by the medics. I'm still nervous of death, of course, but I'm no longer afraid. I've glimpsed it, remember?     Besides, I've got someone waiting.
Metaphorically speaking, of course.


17. Killer Dreams by Iris Johansen
She took a deep breath and closed her eyes as the water flowed over her. She'd tell Joe about Montalvo's call over dinner, but right now she wanted to relax and forget about everything but Joe . . .


18. Heart-Shaped Box by Joe Hill
"Your bag," the boy said. "You might need something in it."Alinger smiled fondly, went back up the steps, took it from the boy's cold fingers."Thank you," he said. "I just might."


19. The Shadow Out of Time by H. P. Lovecraft
No eye had seen, no hand had touched that book since the advent of man to this planet. And yet, when I flashed my torch upon it in that frightful abyss, I saw that the queerly pigmented letters on the brittle, aeon-browned cellulose pages were not indeed any nameless hieroglyphs of earth's youth. They were, instead, the letters of our familiar alphabet, spelling out the words of the English language in my own handwriting.


20. Dracula by Bram Stoker
"We want no proofs. We ask none to believe us! This boy will some day know what a brave and gallant woman his mother is. Already he knows her sweetness and loving care. Later on he will understand how some men so loved her, that they did dare much for her sake."



Akpan








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Friday, June 1, 2012

DAY 1: Vampire Epistle


Tile 0
(Photo credit: tornatore)

            Dear J,
By the time you read this letter, I’ll be dead.’

The somewhat long dead mail began. It was a pretty long piece addressed to no person in particular and to the finder, specifically. I developed this weird feeling, recently, that my kitchen needed renovating-a little turning over, here and there.

Ideally, I could have performed the task, solo. But my neighbors, the Jobs, God bless their souls, and such nice fellows they are-decided they weren’t too busy to offer a neighborly hand. At the extreme left of my kitchen, just behind my ice box, are some extremely sensitive set of tiles-brittle as a toddler’s bone. Crumbly and already falling off the walls. All I gotta do is poke my fridge and it’s all the excuse they need to create an avalanche of falling tiles. Touchy, touchy. The plan was to get rid of all those querulous bunch of tiles, and put up some new, friendlier ones. Mr. Jobs was helping with peeling off the used up tiles. He was pretty good at it, give him that much credit.

After a moment of watching him wage war on those tiles, I left him with ‘em to go fetch the replacement. They were lying in a box somewhere in the house, in a tiny spare room I’ve long transformed into a store. I suppose the guy the place once belonged to had excess blocks of cement and of course, extra space and suddenly developed a kind of desperate invention which culminated in a spare room with no specific details about its use or purpose. Well, necessity found a purpose to that room. It turned out to be really perfect for storing tools-garden tools, the toolbox for general household maintenance and other out-of-the-way stuff. I was rummaging through this tiny room you know, wondering how I could have placed the goddam box so far away from view. It wasn’t anywhere on the lower shelves, either. This sort of fuckaroo happens a lot. It’s when you need some specific stuff the most; it falls back and creeps behind some insignificant other.

I was in that room going crazy by the moment, getting little by little off the edge ‘cause I couldn’t place the replacement tiles. And muttering, ‘damn! damn! damn!’ the whole time.

            “Over here a minute, Jerome!” Jobs called. “I think I found something . . . some stowed away document of sorts.”
            “Be there in a few.” I gave up on the damned tiles and shambled out the door to go to see what the excitement was all about. I was pulling the door shut when I heard a low grating sound which could only be tiles scraping tiles. I peeked behind the door and voila there they were-the good ol’ tiles. I must have placed them too close to the exit and shoved them behind the door in my haste to get them and get gone. So, it seems I’d actually placed ‘em where I could have laid hands on ‘em easily and quickly enough.
            “Get here as you can, Jerome damn it!” The urgency in Jobs’ voice jerked me out of my reverie. “And be quick about it. I ain’t hanging around all day to get this over with.”

As I scrambled to the kitchen I thought about the urgency I heard in Jobs’ voice. I was a little flustered as I approached where I’d left him scraping tiles off the dampish wall. My worst fear was probably that Jobs had cut a finger on the jagged edge of a broken tile.
            “Damn if I didn’t tell you to watch those toothed bastards,” I said, shuffling faster, box of tiles yanked forward in both arms. And they were not exactly lightweight, either.

A trifle out of breath, I burst into the kitchen half-expecting to see one of Jobs’ fingers oozing great drops of blood and the pieces of shattered tiles on the floor dappled with blotches of Jobs’ blood. I was gladly disappointed and more than a bit surprised to see him holding out a crumpled envelope. White, once upon a lifetime, the envelope was mottled with shades of gray and reeking of a musty odor. Despite its crumpled and mottled state, the envelope evoked a feel I couldn’t quite place.

            “Couldn’t it wait?” I asked, my voice gilded with the beginnings of a temper. Now that I’d seen Jobs was alright, every other event could find a seat at the backburner-especially musty envelopes. “You knew I’ve been to get the replacement for those,” I said, pointing to the litter of tiles on the floor. “Come on, Jobs, you could have signed for that on my behalf.”
            “This, my friend,” Jobs said, tapping the miserable looking envelope with his middle finger. “Ain’t a courier parcel service. Not the way any of us present here understands it, at least. This is a message on the wall. A message from the wall” He pointed to a spot where he’d plucked tiles off the wall. From my position, I could see a smudge about the size and shape of the envelope extended between Jobs’ fingers.
            “Lookee, lookee what the tile fairy stuck in here. Reward for a hard day’s labor, you think?”
            “You found that in there?” I said. It was a question I could have skipped. “You checked the content, yet?”
            “I was hoping you’d do the honors,” Jobs said, passing the envelope over at the same time. I took it and ran my fingers over it, feeling for the content while wondering what exactly I expected to find. Damp to the touch, the envelope, I realized was probably the reason the tiles were falling off the walls. I believe now that it wanted to be read and so it made itself seen. What am I talking about? It’s just a bit of paper, right?

I’m one superstitious son of a gun. I’m sorry if you’re way too civilized to dig that. But I was programmed that way from my childhood years; I grew up around superstitious folks.
            Here’s what I’m really getting at: I believe that piece of paper wanted to be found and that’s why we found it. That letter wanted us to find it and began yanking the tiles off the wall. That’s right, go ahead and laugh your head off. But you can’t argue facts poking your eyeballs, can you? And here’s the first kill:

The letter is addressed to someone the author calls, J.

How’s that for a stint of fate? I don’t have to tell you my name, Jerome starts with the alphabet, J, do I? Coincidence? Coincidence, my ass.
            Kill #2: The author had future-dated the letter to Tuesday, 11.12.2012.
That’s the date and day, we-Jobs and I found the paper behind the tiles. Another prank of coincidence? I don’t think so.

I tore open the mold-covered envelope, carefully withdrew the letter and read, to myself in particular,
            ‘Dear J,
By the time you read this letter, I’ll be dead. Me, my wife and six kids.
Circumstances beyond my ability have forced me to turn against myself and my family . . .’

“Do you mind turning up the volume, a little bit, please?” Jobs! Damn I forgot all about Jobs in the heat of the moment. I was sweating, hyperventilating-armpits, forehead and palms-further soaking the clammy pages.

“Grab a can of soda, Jobs,” I said. “Let’s sit out there on the balcony. This is gonna take sometime. Besides, we need the break. We’ve been at this non-stop for the best part of two hours.”
“I’m all over that,” Jobs said.

We went to the balcony where the rays of sunlight were just receding to meet the parent over the horizon-Jobs with his soda and I with a cool cup of lemonade. We deserved it, after all. We’d been working all day.
            I pulled out the envelope. I’d tucked it in the back pocket of my jeans while fetching the lemonade.
            “Here goes,” I said.

            ‘Dear J,
(There’s the J again. As if the author had been afforded a foretaste of what was to come. Like he’d peeped through a glass darkly and glimpsed the guy who would eventually occupy the apartment he left behind-grasping at least, the first letter of his name. This suicide’s sixth sense brought the message home to me.
           
‘By the time you read this letter, I’ll be dead. Me, my wife and six kids.”
            “Whoa! Woman must have been sort of a baby factory. A really old fashioned mama,” Jobs said.
‘Three weeks ago, I started working the basement. Wasn’t much to be done there, though. Old habits had kicked in and I just couldn’t help it. I’ve been about my business barely thirty minutes when I noticed a previously undiscovered crack in the wall of the basement in this house . . .’

“Jobs,” I said. “How come I’ve never come across this basement in my house, all these years?”
“Huh? Oh, they probably sealed it off. Never seen one in my apartment, either.”

I read on. “There’s this ancient looking crack. I tried running my hands across the scraggly length of it, my fingers slid through. Something with very sharp teeth bit me. I retrieved my fingers and was favored with a partial glimpse of the creature. It looked like a mutie bat. The experience lasted a third of a millisecond, almost went unnoticed but I felt something-blood went out of my body, yes, and something flowed in through the opening.
            I withdrew my hand and ran up the stairs to disinfect the wound before it got infected. But not before peeping in that crack and getting a good look at the little demon that had sucked my blood.
            What I saw defies description.
            The eyes of the thing were like the eyes of hades.
            It sucked at my consciousness and attempted to steal my sanity as I stared into the windows of that oblivion. I had to muster all the will in my body and force myself to look away or I believe, I would have gone mad.
            The beast looked every inch like a bat but now, I know it for what it was: The Bat from Hell.

            After I made it out to the worldly light outside the basement, I checked my finger and saw two fine, almost invisible punctures on my index finger. The blood was already clotting and my finger was a trifle numb. The numbness seemed to spread rapidly over my entire body like the onset of a fever. I disinfected the wound and took some aspirin.

Silly, unwitting me, not aware I was dead to the world, after my little adventure in the basement, I forgot all about the daemon bat. Erased it completely from my mind. It became my undoing. On one hand, I think the horror of what the thing that bit me might be and what its contact with me might eventually mean was too much for my mind to grasp and so my consciousness chucked it away into the care of the subconscious.

In vampire movies, the turning is almost always instant or at least within the next twenty four hours. I think took a little longer. However, I came down with a bad case of the flu, the next day to a point I couldn’t go out. I shut myself up in the guest room and slept alone wouldn’t let my wife come near me. She gave me drugs and urged me to come to the hospital with her. I took the pills but something within me wasn’t up with all that hospital and doctor stuff. It didn’t feel right. Maybe, my mind already knew what was coming-already figured it out that the infection was too lethal to be treated by a medical doctor.

I couldn’t eat. I took only water and even that was cut to the barest minimum. I never stepped out of the guest room and I let in the least amount of sunlight.

After Day 7, the nightmares began.

I had constant visions of blood, of me sucking blood with pleasure. In the dream, it started with my wife’s and then it moved on the kids. Two weeks later I stepped into the streets with my family, I as the head of the pack. Yet, it was all a dream brought on by extreme heat of fever.

So, I believed. I would come awake in the mornings my room reeking of blood, my clothes drenched in blood. My first thoughts were that I had retched in the night owing to the vileness of my nightmares. Those were the worst days of my life.
My wife and kids began staying indoors. That gave me a start-they seemed to cherish the darkness as well. The curtains in the house were always drawn. They slept most of the afternoons-I knew this ‘cause you can’t have kids and quiet in a house at the same time. The two ain’t all that acquainted. That’s when my suspicions about the origin of the bat in the basement caught up with me.

One day, at about four in the evening, I flipped on the TV and the shades of my nightmare came to play. The events I had once called dreams were being reported on the news.
Eight people had died in their sleep the previous night.
I ticked members of my family off my fingers and figured these victims of our strange appetite.

Reality had driven in with the pedal pressed to the metal.

It came at a time I couldn’t take the dreams for what I thought them to be anymore; they were way too graphic to be pensioners of Morpheus train. I called my family. It was time we got it out and over with. They all agreed with my plan.

At noon the next day, when the sun was high and strong with its rays piercing like a billion hot needles, we were going to open all the blinds. Let the light in.

PS:
When you find this letter, J, you’ll find the door. For what it’s worth, do not go in there.

I leap-ran to the kitchen and right there where my fridge used to be was a door fitting enough for a cellar.
It’s six months today since the day I found the letter and that cellar door and I’ve still not found the strength to tell my wife or anybody else for that matter besides Jobs. Well, I had no say in Jobs matter. He was with me when I found the door.
I’ve decided to open that door.
When my wife leaves for work-I’m staying home and playing sick-and my children for school, I’ll grab a flashlight and explore that fated cellar. Maybe, I get to kill the bat, after all.

Incase, you found this note maybe I didn’t make it and in any case, it’s your turn to find the door.
I hope to God, you ain’t married.
God have mercy on your wife.
You’ve had a look at the door, already haven’t you?
Maybe it’s too late.
Maybe . . .



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