Showing posts with label Short Stories. Show all posts
Showing posts with label Short Stories. Show all posts

Friday, May 23, 2014

How It All Began

IntShoWriMo 2014 OFFICIAL BADGE (MODIFIED)

IntShoWriMo is not the brainchild of a deliberate and complex design nor is it product of a fickle fancy. It did, however, thrive by default. It just so happened that in December, 2010 I announced in this articlethe last one I posted that yearthat through 2011, I was going to be waist deep in short stories. No regular blogposts, only 2,000-word shorts and about thirty in all. A quick glance at the 2011 archives will reveal a total of thirteen posts and most of these happen to be poetry. So what happened? I couldnt do it, thats what happened. I had a hard time making up my mind on what to post: drafts or revised drafts? And thats how I spent an entire year eating the dirt of my own indecision.

Steven Barnes, in one of several newsletters I received from the great writer, hinted on writing the short story over the novel for young fiction writers. You may write a 100,000 word novel or fifty 2,000 word stories in a year. Youll learn faster writing the short stories. Steven Barnes (rephrased). I was trying to walk that path when I got stuck in 2011 even though, I got the second story I wrote published in an online magazine I knew I had to make good on that promise.

IntShoWriMo (called NaShoWriMo in 2012) was my way of delivering on that commitment I made way back 2010. It was purely an accidental thing that somehow stuck. And the interesting fact is you can become a part of it. And you should.

Keep your pens bleeding!

Akpan


Friday, September 20, 2013

2 Paybacks of a Fine-Tuned Setting

Getting to Know You (short story collection)
(Photo credit: Wikipedia)

The geographical location and moment in historical time where and when the events of a story unravels is its setting. In a short work of fiction, this element of story may be disregarded but not in the longer form of short fiction or the novel.
Exquisite, fine-tuned settings that take the reader by the hand into the landscape in glittering details and this woven into a vista of background history of the people might very well be the platform that launches a story from obscurity to fame.

1. Originality:
This may not be as apparent in a really short story as it might be in the long form of the short story or in the plot of a novel. But it might very well be the breather the writer needs to create a unique universe; a place where his characters can readily adapt and become living, breathing people. Real people. A well-developed setting can achieve such a feat.

2. Plausibility:
A setting that shows depth and distance becomes its own peculiar world possessing its own set of rules, which govern the events, and the citizens of that unique state. If you create a sleeping beauty-ish universe then you have to make it palpable how an entire kingdom can stay in a coma defying every known medical code and then rouse itself several years later as easily as a child coming off a midday nap awakens.

Developing the setting for your story is like pulling weeds in your lawn, trimming the plants in your garden, repainting the porch to create a sharper contrast of your entire house. Every curve is placed in proper perspective and every outline is well defined.

Keep your pen bleeding.


Akpan


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Saturday, February 23, 2013

5 Stephen King Ghost Stories (Shorts)


Photo: paranormalresearchgroup.blogspot.com
5 bloodcurdling ghost short stories from a master storyteller to keep you awake and steal your sleep long after the last page is turned and the book is closed. These stories come with a lot of plot twists that makes the tales as entertaining as they are spine-chilling.


A story about the Ghostly Room at the Inn is how Stephen King himself explains it. Mike Enslin is a bestselling author of non-fiction works based on haunted places who does not believe in the paranormal.

His unbelief becomes his undoing at the Hotel Dolphin's Room 1408 where something resides which shakes the very foundation of his fundamentals as a man. Room 1408 which adds up to the unlucky number 13, has been left vacant for almost 20 years because of the strange things happening to people who lodge within it for an extended period of time. Occupants of the room have always met with their deaths at least, 42 deaths have been recorded so far. The hotel manager Mr. Olin tries in futility to dissuade Enslin.

Although Enslin is flustered, his pride gets in the way and he goes up to 1408. The door to the room appears crooked. At first, it tilts to the right, gets straight on observation then, leans left. In the room, Enslin experiences turn weird like somebody stoned on dope. The pictures in the room start changing then, become animated. Even the furniture are not what they seem, Enslin is hypnotized, the whole incident is totally overwhelming, he stands transfixed even though, he feels the thing in the room coming for him. He sets himself on fire to break his paralysis and rushes out of the room ablaze.


Anne is just coming out of the shower when she hears the phone ringing. Her relatives are all over the place yet, nobody answers the phone on the extension not even the answering machine kicks up as it's programmed to do after the fifth ring. She picks up the phone and the first word that comes through is her name, Annie. She recognizes the caller immediately. It's James, her husband.

Anne slumps to the bed horrified. Her relatives are in the house to prepare for his funeral and James is on the phone chatting with her. He tells her they (himself and other passengers of the plane crash he was involved in) are in a place that bears a resemblance to the Grand Central Station though, it's not. James tells Anne that maybe he was able to get through to her after he died because he was just about calling her when their plane went down. There's a recurrent beep from James' cell and he complains about not finding a spot to charge his battery.

James predicts two fatal events and warns Anne to stop going to Zoltan's bakery on sundays. He also instructs Anne not to allow some kid clean out the gutters for her though, they moved out of the apartment he refers to some time in the recent past. Both events eventually come true.

The story of the hitchhiker who got picked up by a dead man. Alan Parker is on his way home after receiving a call from a neighbor that his mother has been hospitalized after suffering a stroke. Alan does not have a functioning car and decides to hitchhike all the way south. First, he gets picked up by an old guy who would not take his hands off his crotch. The stench of urine is overwhelming and Alan has a vague feeling the old guy is a serial killer. This feeling prompts him to request the guy let him off even though he offers to take him all the way to the hospital.

Alan then takes a lonely road that leads through a graveyard. He's exhausted and decides to sit on a broken fence. Curiosity gets the best of him and he wanders into the burial grounds where he finds a gravestone marked "George Staub" Well begun, Too Soon Done. But Alan probably out of fear and concern for his mother misreads the epitaph as Fun is Fun and Done is Done. He interprets this as a message from his mother; she is dead. In his panic, he trips and his head collides with a rock. The impact sends him into a faint and (unbeknownst to him that he dreams) Alan thumbs down a ride. It's George Staub, the dead guy and he makes Alan choose who dies next between himself and his mother. Alan awakes beside the tombstone, after choosing his mother out of fear, to find the button the dead man was wearing in his dream pinned to his shirt.

He takes this as an omen that he would find his mother dead at the hospital. However, his mother is okay and would see many more years. After a while, Alan loses the button only to have it resurface seven years later after his mother passes away. Still bearing the inscription, I RODE THE BULLET AT THRILL VILLAGE, LACONIA.

Willa
At a train station, a bunch of people who have survived a derailment wait for the pick-up train to retrieve them. David, one of the passengers is worried about his girlfriend who has wandered off on her own into the desert. He sets out to look for Willa, his girlfriend. His fellow passengers try to discourage him saying the shuttle might arrive while he is away and that since sunset encroaches on the skies he would have to contend with wolves alone.

David goes in search of his girlfriend nevertheless, and confronts one fierce wolf which he sends scampering into the dark when he claps his hands and tells it to go away. He finds Willa at a honky-tonk sitting by herself in a high-backed booth. And in there Willa opens David's mind to accept something he's probably been aware of all along but has refused to live with.  The train passengers are all dead; they've all been dead for twenty years. No shuttle is coming to pick anybody up. David notices the customers and waitresses at the joint keep avoiding the booth they occupy. It's like they feel a ghost presence.

The two return to the train station to let everyone in on this new reality. They realize that a few of the other passengers know the truth but won't acknowledge it openly for fear of its implication. Others are adamant in their refusal of the obvious and eventually, they send David and Willa away. The two return to the honky-tonk where they find the place shut down for the night. They help themselves in, turn on the music and dance in each other's arms.

You Know They Got a Hell of a Band
One wrong turn somewhere was all it took a couple to land in the deepest mess of their lives (and death?) Clark and his wife Mary decide to go sight-seeing in Oregon just before Clark who works for a computer company goes on transfer. Things start out just fine (don't they always?) with the couple spending the night at a motel. Then farther out into their tour, the idea hits Mary that they might be lost. When she confronts her man, Clark denies the fact and uses a map to back his claims.

Mary tries not to argue with Clark but urges him to turn around while there's still time. Clark, who is apt to drop dead if he agrees he is in the wrong, tells Mary he knows what he's doing. He could all but smell Toketee Falls, which would be the trophy, the scene-stealer. Mary falls asleep and when she wakes, Clark has all but driven them into a point of no-return.

Soon, they stumble on a town and wind up in a diner where a band played. They have a hard time trying to second guess if the musicians are impostors or the real thing. By the time the truth is out, Clark and Mary are mobbed up to their mortal necks by dead music legends. While making their way out of town, they run into a bus and Jimi Hendrix summons the cops. Clark and Mary are arrested by Otis Redding (Chief of Police) and Elvis Presley (Mayor of Rock and Roll Heaven). The couple are taken back to town where they attend a rock concert that would last for years.


There are other haunted short stories by Stephen King like Sneakers; The Things They Left Behind; Sometimes, They Come Back; The Road Virus Heads North and so on. Many of these bone chillers set me in the depths of despair for the characters. I've always had a thing for ghosts especially, when it had to do with arousing their fury and wrath. Stephen King adds the twist to the ghost story.

Keep your pen bleeding!



Akpan









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Sunday, November 25, 2012

10 Stephen King Stories Featuring Writers as Characters

Photo: vcablogorama.blogspot.com
Stephen King often uses authors as characters in his stories. It's possible that no other author before him or during his time equals him in this particular enterprise. And it's impossible for you as a serious writer not to find yourself parodied in one of King's stories.

Most of the writers in King's stories (if not all) are men. Nevertheless, the sort of distress they often get themselves stuck with is not gender-oriented. King, at one time announced he was hanging his pen on stories featuring writers as characters. I believe that was in the note on Secret Window, Secret Garden published in a collection of novellas called Four Past Midnight back in 1990. But alas, in 1998, a Stephen King novel, Bag of Bones featured a writer as the main character and going through the worst dread that could ever happen to a writer-writer's block. You can never trust a storyteller, han?


Bag of Bones (1998)
This novel is by far, my favorite Stephen King book. It features the writer, Mike Noonan, who is going through the worst case of writer's block, as the main character of the novel. He has not written anything, besides his laundry list, that is, for the past four years or so.
King says he was inspired to write this novel after reading a story about Virginia Wolfe who is reported to have been so prolific she had to deposit her books in a safe. The book borrows its title from Thomas Hardy who said, "The most brilliantly drawn character in a novel is but a bag of bones"

Noonan's block is worsened by the death of his wife, Jo, who passed away with their unborn child on the pavement of a pharmacy. But Noonan doesn't realize the death of his wife and the baby is in part, fulfillment of a generational curse. If you want to learn about the art of writing and how to deal with writer's block while having fun, read Bag of Bones. It's King's best effort, so far.

Secret Window, Secret Garden (1990)
Morton Rainey is the main character in this novella. He is a writer and recently separated from his wife. As a review says, Rainey is trapped in the demonic depths of a writer's worst nightmare. He has relocated to his summer home awaiting the finalization of his divorce from his wife when one hot afternoon, a stranger wakes him from his siesta. He opens the door and sees a guy who looks like a character from a Faulkner story. The first words the guy says to him and which marks the opening line of the novella are, "You stole my story." And from that point in time, Rainey's nightmares begin.

Stephen King masterfully twists the plot line, sometimes Rainey is a split personality, possessed by this strange character, John Shooter, who appeared at his doorstep uninvited. The story revolves around a writer exhibiting rare symptoms of dissociative disorder. You can't guess where King is taking you, even after the story is told. The suspense is just too intense.

Here's a short story and part of the collection, Skeleton Crew about a writer who receives the gift of a custom built word processor from his fifteen-year old nephew, Jon. The machine has supernatural powers to execute whatever commands a user typed.

Richard Hagstrom, a struggling writer, uses the word processor to bring back his nephew who died in an accident caused by his drunken father–Richard's older brother. But not before deleting his son and wife from the face of reality. Word Processor of the Gods is a short story that attempts through allegories, to show how fiction immortalizes our dreams and hopes.

1408 (2002)
Of this story, Stephen King said, "I never intended to finish it. I wrote the first three or four pages as part of an appendix for my On Writing book, wanting to show readers how a story evolves from first draft to second."

Mike Enslin visits places haunted by ghosts or spirits or some other evil and then writes about his experience. Olin, the manager of the hotel tries to discourage Enslin from going up to Room 1408 (the number adds up to 13–the so-called evil number), where several paranormal activities had occurred but his attempts were rewarded by fierce rebuttal.
Enslin went into room 1408 but barely escaped with his life when the thing in the room set him ablaze.

Misery (1987)
Imagine meeting a fan of yours who wants you to write one last novel for an already concluded romance series you have been writing. You may not want to consider it as an option but she can be persuasive... with an axe! That's the scenario the main character in this story, Paul Sheldon, finds himself thrust into. Involved in an accident, bugged down by a broken ankle and rescued by a psycho nurse who is responsible for the deaths of over 100 people, Paul Sheldon is in a worst-case scenario. And Annie Wilkes is the perfect muse for any complacent writer, believe that!

Lisey's Story (2006)
This is the story King said was inspired by visions of his own death after his now famous accident. He returned from the hospital to find his wife had rearranged his study and the thought came to him what becomes of his wife after he dies.

Lisey Landon, wife of the deceased writer, Scott Landon is faced by scores of people demanding her late husband’s unpublished manuscripts to the point of threat. The story is paranormal romance at its best.

The Road Virus Heads North (2002)
Richard Kinnell is a horror writer who picked up a picture with supernatural powers at a yard sale. The original owner and artist had hung himself in his basement but not before pinning a note to his breast which read, "I can't stand what's happening to me."

Eventually, Kinnell, observes that the picture keeps changing and he tries to rid himself of the thing. He dumps it in among the pine trees behind a fast food joint. However, when Kinnell gets home he finds The Road Virus, that is the name of the picture on the wall at his home.

Salem's Lot (1975)
Is the story of a writer, Ben Mears who returns to a town, Jerusalem's Lot ('Salem's Lot, for short) where he grew up and had been away from for years. He finds the town almost in the same condition as he had left it but at the same time, he discovers an unspoken evil hovering over the town.

It's a vampire story with a twist. King said he did a "restructuring and updating (of) the basic elements of Bram Stoker's Dracula to create 'Salem's Lot."

The Shining (1977)
Jack Torrance was hired to take care of a large hotel all winter but the tide turns against him. He becomes psychotic and tries to harm his family. His son, Danny, and wife eventually escape owing largely to the 'gift' of The Shining the kid possesses.

The Dark Half (1989)
Thad Beaumont is a writer in distress as his pseudonym gains substance and tries to steal his reality. Beaumont was switching genres and had celebrated the fact with a mock funeral of his pseudonym with a picture on the cover page of a magazine. A few days later, the grounds keeper of the local cemetery discovers a 'hole' in the same spot Beaumont had used for his mock burial.

Something had dug its way out of the 'grave'. Then the killings began and Beaumont's fingerprint is all over the evidence. Yet, Beaumont has proof he was home on the night of the murders. This story is allegoric presentation of how fiction can influence the life of a writer.



Stephen King has more stories which, involve writers but I intend to end my ranting with Dark Half. If you want to learn the craft of writing, do read King's nonfiction book On Writing but do not stop there, read his novels, as well. You'll learn vastly by following that route.

Keep your pen bleeding.


Akpan

Saturday, October 13, 2012

Short Story: Best Route to Mastery of Fiction


 ‘Young writers shouldn’t kid themselves about learning to write. The best way to do that is to train yourself in the short story.’ 
Ray Bradbury

Writing stories is the same as trying to create a universe off-the-cuff. The game of fiction writing can be a trifle seedy sometimes. What’s more? Plenty of times, a writer gets stuck in a work with a goodish length, loses the rhythm that set the story in motion in the first place and then quits, altogether.

Here’s a tip, if you’re new to fiction writing, the short story would be a good place to start. The reason is simple enough: a novel requires more energy and skill, more commitment and time. But a short story can help you get a taste of story structure.

A novel is a series of short stories lumped together to create a bigger piece of literature. Many things happen in a novel–many lives erupt and must settle into a rich and meaningful stew by the time the script arrives at the resolution. Only a writer drilled in the tool of fiction can achieve such feat.

‘A novel is like running a marathon. Would you run a marathon if you’d never successfully run around the block?’ 
Steven Barnes

Nevertheless, the basic concept of story remains the same for both forms of fiction. Description, narrative, dialogue, character development and other intrinsic aspects of plot, which are curtailed in short fiction become magnified and refined in a longer project like a novel.

Photo credit: Flickr
 You can better teach yourself the art and craft of story while experimenting with plot, dialogue, theme and character development if you exercise with the short fiction.

Without a foretaste of the shorts, you might very well quit half way through your novel manuscript. In point of fact, starting with a novel might be an excuse to avoid writing anything to completion.

You’ll learn greatly if you stick with short stories. Going for lengthy jobs like novels might mean setting yourself up for disappointments–you may come to despise fiction as a whole.

Save yourself the time and the trouble.

Keep your pen bleeding.


Akpan



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